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Willis also explains that Cox's side-angle shot makes reference to the "scientific" traditional propaganda used by Cuvier and Julian-Joseph Virey, who sourced Baartman's traditional illustrations and iconography to publish their "scientific" findings. Early on, her treatment on the Piccadilly stage caught the attention of British abolitionists, who argued that her performance was indecent and that she was being forced to perform against her will. Sara Baartman's organs, genitalia, and buttocks were thought to be evidence of her sexual primitivism and intellectual equality with that of an orangutan. James, the most expensive part of London. Reaux, who made her amuse onlookers who frequented the Palais-Royal. An abolitionist benevolent society called the African Association conducted a newspaper campaign for her release.